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Pour A Painting

by Connie "Zekas" Bailey WCWS

In starting a pour,  I take time to think about what I want to express. This includes harmonious color, interesting surface texture, mood, etc. In Japanese Rubies, I was striving for the many layers of shapes in the pond, the mystery of the pond.

Here Is the List for Getting Started

Paper D’ Arches 140lb cold press
Liquid Mask
Pick Up
Chopstick
Watercolors red, yellow, blue of your choice (I used WN New Gamboge, Holbein Opera, WN Cobalt Blue)
Paper Cups
Squirt Bottle

Watercolor Painting "Japanese Rubies" by Connie Zekas Bailey
Japanese Rubies
by
Connie "Zekas" Bailey

After I have my drawing done, I  mask out the shapes that I want to keep light.

I dilute the paint. Squeeze out about an inch of paint into the bottom of a paper cup of each color. Then squirt water into the paint to liquefy to desired color saturation. With my drawing on a piece of gator board, outside, I wet the paper with the spray bottle so that it is moist and uneven leading to a more spontaneous flow of the paint. Let Dry completely then take off the mask and start over remasking some old and some new shapes where called for in your painting, as many times as needed to achieve desired results. Colors remain luminous as they mix on the paper.

Whenever you try a new approach it seems strange and wrong but this is part of the process of growth, experiment reach out and explore the possibilities, most of all enjoy.

Back to "WoW! How?"

See more of Connie's paintings
in her WoW! Gallery room.

 

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